Looking through Workhouse A from the top of a silo.
The belts on these mills have long ben missing.
On the dark side of the workhouse at sunset, you can almost see where the walls used to be. Kodak Portra 160/Mamiya 6.
A look at the Longmont Sugar Mill in May 2014.
The valley is full of rocky peaks that stand out from the winding creeks, which only truly run after storms. It is a very beautiful place.
A big door into the fire pump room.
Between blizzards on the hill, I look out over the Chateau. Kodak Portra 400 on Voightlander Bessa.
The doorframes become more askew every year as the buildings slip downward into the gulch at different rates. This seems to be the part of the mine ruins where transients leave their marks. The graffiti dated back to the 1970s, at least.
The chapel (left) and surgical suite (straight on) move in an out of view as fog rolls up from the St. Louis River valley.