Wind took the spring melt on the trees growing in taconite pellets and made it airborne. Loading chutes in the background.
Looking down the Gilman-Belden tram.
On my second or third trip, the cross had broken in the wind.
SWP4-A on the left and Viterra C on the right in a 90-degree panorama.
The top of the docks are so rotten in places that you can see the lake through the boards. In the foreground you can see the controls for the chutes, which work on a clutch.
A dead pigeon that taggers gilded.
Looking out from a hallway on the third floor where a ceiling and roof should be. I could not stand in the room, as the floor had collapsed into the basement, but I could put my camera out at arm’s length and fire a few pictures upward, which is how I came away with this image!
“Ladies and gentlemen, we’ve been getting reports that several Yellow Helicopters have been seen hovering above town. We are all aware of the Black Helicopters, which are World Government, and Blue Helicopters, which are Secret Police, and the Helicopters with Detailed Murals of Diving Birds of Prey, which are the helicopters that took all the children in Night Vale away a few months ago (we still don’t know what those helicopters are but they did bring all the children back unharmed, and much more well-behaved than before, so they are deemed just as safe as the other helicopters) but these new Yellow Helicopters, no one quite knows.” – Welcome to Night Vale, Ep. 32
Kate shooting the cascade of rotten boards and steel siding that is Chain O’ Mines’ gold mill. Leica/Summilux 35/Ektar 100