The top of the giant arched windows facing the Mississippi and the swing bridge.
In the middle of the foundry, an office is untouched by scrappers, legal and not. Inside, warnings and catalogs for machines that are gone, obsolete, and melted down.
Looking out upon Mill City through the lens of FLOUR, highlighted in pink and low clouds. This sign has recently been converted into LED lighting.
An unintentional skylight makes the inside of the office glow, showing the inside of the front door and its strange lock.
Some sort of materials handling building, judging by the construction.
A closeup of the finely-carved seats in the house, presumably original to the Sattler. There are not too many of these in this kind of condition. If you have a better name for this figure than Cordelia, leave a comment.
A side door on the rear of the castle that let guests out into a small stone courtyard below a tall turret.
An interesting crane in the back of the machine shop. It seems very light duty, so I am not certain what it was used for.
On the rooftop of the Temple Opera Block are some old fast food table sets. It did not seem like they had seen much use recently. The tires across the rooftop is a sort of calling card for the building’s former owner.