The doorframes become more askew every year as the buildings slip downward into the gulch at different rates. This seems to be the part of the mine ruins where transients leave their marks. The graffiti dated back to the 1970s, at least.
Devan setting up his 4×5 camera.
A bumper sticker with the usual tagline. Note the detail on the radiator!
The sluice room was surrounded in fine grating. The company would want to finely control when the doors would be opened so the gold could be removed under supervision. No yellow bonus for the working man…
In the grungy control room, I found a little slice that was never graffitied.
At the extreme eastern end of the plant is a bank of modern concrete silos. Kodak Portra 160/Mamiya 6.
The south wall of the power plant. Its sheet metal skin couldn’t fit around the structure, it seems… note the very strange protruding superstructure.