If it wasn’t for the humming and crackling of the wires, I could believe I had arrived to a post apocalyptic landscape.
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...based on the tags: fences, gates, grass, guard-shack, lights, power, shacks, sunsets, yellow...
Looking across a skyway at the dust-collecting funnels, one of the few pieces of equipment that haven’t been completely decimated by time and the elements.
The coal water power plant stack accompanied the smell of an arson.
For some time, Purina ran a feed service out of the elevator. Inside and outside were signs of its past presence.
I revisited the mill years after my documentary. Now it is even more destroyed and surrounded by new fences.
Near the guard post protecting the launch pad at the Duluth BOMARC is an orange windsock.
It’s a straight view from the projection booth to the stage, but hell of a walk. At a fast pace, I think it would take 10 minutes to walk from this spot to the chair. Behind the curtains is a big white screen, so the theatre could be used for either stagework or moving pictures. The two projectors are set up for 3D movies right now–hence the little switch below the window–a Polaroid 3D synchronizer. Cool, huh?
Platforms and abandoned outbuildings, as seen in 2005.
The Osborn Block is the prettiest building you’ve never seen in the Twin Ports.
The metallic arms of the missile erector, which would stand rockets over the blast pit in the launch position. Medium Format film–cheap but excellent Fomapan 100 in a Pentax 67.