The side of a launcher, with outbuildings in the background. You can see the tracks where the roof would open before launch.
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A row of security lights line the roof of the power station.
This old Jetta did more offroading than your average lifted tinted loud-exhaust pickup.
The control room for the whole of the plant. Sinterband here means one of the sintering lines. Temperatures, gasses, mixtures, speeds, and so on were centrally controlled here.
The most pointless, beautiful and nuclear-bomb-proof catwalk I’ve been on to date. It goes between two high levels in its own bottom-lit concrete capsule in the center of the tallest, thickest building. Hang on, we’re riding this one out.
Wagons and horses were kept in the building on the left, separate from the rest of the complex in case of fire. In the distance is the boiler house, separate for the same reason.
Kate stands on top of the tailings pile that added some usable land to the side of the gulch. Somewhere nearby is the buried Santiago Tunnel.
If it wasn’t for the humming and crackling of the wires, I could believe I had arrived to a post apocalyptic landscape.
Looking up at the most conspicuous graffiti in the city on ADM #4.
Sunset came fast, and when the good light died inside the Industrial Loft, I walked around the back to find the whole complex glowing.