35mm-film

Tilston School (Kodak Tmax400 35mm)

The Tilston School,built in the late 1960s. In front of it is a memorial and model to the first schoolhouse. This building, however, has been turned into a kind of town dump. The classrooms are filled with mattresses and discarded tires and trash.

Curved Corridor, Interior

The interior of one of the curved corridors that connect two wards. Note the original floor’s hand-laid tile pattern. Portra 160.

Film: Vapor

Water vapor was collected and condensed to be reused in other processes. Kodak Tri-X 400/Leica M7

Film: Juice Levels

Thick glass windows allow workers to check the beet juice levels in this steel tank. You can tell by the reinforcement that it had a lot of liquid and had to hold against immense pressure. Kodak Tri-X 400/Leica M7.

Curtains

Sliding curtains gave a little privacy to the residents of this room, which looked and felt more medicinal than most of the other multi-patient rooms.

Film: Raven Totem

I slid into the mill through the top floor, near where the rock-grinding ball mills were left to rust. I look around, taking in the most intact gold mill I’ve ever explored. Movement attracted my eye to the ceiling, where I found something staring back, a raven was observing me with some interest. It had been a while since I have brushed up on the folklore and mythology, but I took it as a good sign. Leica/Summilux 35/Ektar 100

Common Room

A circular common room in one of the original parts of the hospital. When the asylum was especially crowded, this would be filled with patient beds, too. It’s very strange that this floor was not tiled like the other common rooms. It makes me wonder if especially dangerous patients were kept in this ward; those who could not be trusted to not extract and sharpen the ceramic tiles. Portra 160.

Film: Sugar Mill

Kodak Tri-X 400/Leica M7. The office (first floor), laboratory (second floor) and mill behind it. Everything was clean and pristine.

McConnell, MB (Kodak Tmax400 35mm)

One of the principal businesses in McConnell was a farm implement and lumber store. This is too new to have been bought there, but I like that it’s still on the edge of town. It’s more comfortable than the emptiness beyond, that used to be a little prairie town.

Nopeming Stage, 2015, Porta 160

2015. Water damage hastens the decay of the annex and its stage. Every time I visit this room, the chairs are in different places. Kodak Portra 400 in a Voigtlander Bessa.

Fourth Floor Frost, Porta 160

A broken roof drain turned the fourth floor into a skating rink. Frost covers every surface. Kodak Portra 400 in Voigtlander Bessa.

Old Kitchen, Porta 160

The kitchen in the services building has a beautiful red and white checkered tile floor. Kodak Portra 400 in a Voigtlander Bessa.

Cargill in Spring (Film)

Taken from atop a grain train at the end of Cargill B-2, looking toward Lake Superior “I”, now part of the sample complex. This area used to have another slip, but Cargill filled it on when it built the elevator on the right.

Film: Work on Top

Kodak Tri-X 400, Leica M7. Serious enough to write across the side of the tank, but not serious enough to have a sign made.

Curved Corridor, Exterior

These long curved corridors connected the wards. Locked doors on both of their ends were a security and comfort feature. Sounds and people would be sealed in their respective wards, as the hallways would act like beautiful airlocks; they were so long that it was unlikely that doors would be open on both sides at the same time. Portra 160.

Ogilvie’s- Ship Gallery Arch (Arista 100)

When the ship loaders were added, a doorway was cut through the metal silo to make a room for the grain handling equipment. Note the dust sensor in the corner of the torch-cut archway.

Film: Stems

The old truck scale sits in the middle of what was Nettleton Avenue Slip.

Film: Ruingulls

A quick shot with a Voigtlander 15mm f/4.5 (V1-M Mount). Possibly my favorite lens. Birds love these postindustrial ruins, and they hated me exploring and photographing them.

SWP4- Hole (Arista 100)

A me-sized hole in the half-demolished skyway looks about a story down to the ground. Step lightly. Arista 100.

West Portal, January

My first view of the tunnel was in the dead of winter. In spite of being in the middle of the forest, it was totally silent. Mamiya GA645 / Kodak Pro 400

Film: Gold Floatation

After crushing, these machines would float lighter material to the surface of the water, where it would be skimmed and discarded. Gold and silver laden stone would sink to the bottom, where it was collected for the next stage of processing. Leica/Summilux 35/Ektar 100

Cerro Cochino

This peak is a little over 7,000 feet high and is a popular hiking spot. As a bulky Minnesotan who is better built for an arctic expedition, I stuck to the mesa.

Film: Frontenac Feelings

Frontenac’s shaft house is well preserved, compared to all other around it. Leica/Summilux 35/Ektar 100

Dead Light

A typical Chateau wall. Kodak Tri-X 400 in Leica M7.

Film: Kate in the Gold Mill

Kate shooting the cascade of rotten boards and steel siding that is Chain O’ Mines’ gold mill. Leica/Summilux 35/Ektar 100

13th Century Wall

Archeologists believe the great house on the mesa was rebuilt shortly before it was abandoned in the 13th Century AD. Tri-X 400 Film, haphazardly self developed.

Classic Bathroom

The floor of this first floor bathroom, Men’s Ward, was unlike any other I remember in the hospital. Hand-laid tile, but the pattern made it seem even older than the rest of the hospital. Portra 160.

Bench Swing

This tree caught my eye. Note the bench swing near it. Portra 160.

Demolished Skyway (Arista 35mm film)

Looking out of the demolished skyway. Note the big hole in the floor. The lens is too wide to keep my foot out of it… I’m hanging in the superstructure that I climbed to make this photo.

SWP4- Sealeg (Arista 100)

I had to climb into the roof of the half-demolished skyway to see through to the other side of the train shed. That’s my foot in the corner.