RLX
history under ground
cityscapes
“But everyone I used to know was either dead or in prison
So I came back to Minneapolis this time I think I’m gonna stay” -Tom Waits
The spectacular, if precarious, view of downtown Minneapolis from the roof of ADM Annex 4. Note the great messages left by various graffiti artists who made it to the spot.
Looking toward downtown, one is reminded that when Stahlmann built here in 1855 that it was on the very edge of the city.
Pillsbury from across the Mississippi River and Stone Arch Bridge from the roof of the Washburn Crosby Elevator (aka Gold Medal Flour).
Downtown and the blight.
Chicago looks in as we look out, for holes and trolls where anything goes.
The glow from the city is bright enough to read by.
I found out some of my friends were going to be married while I was on top of Gold Medal one evening while it was snowing.
Sunrise in SEMI. The shadow of Kurth Malt is cast across ADM-Delmar #1. Clouds behind ADM-Delmar #4 light up. It’s cold and the air smells like train grease.
Looking at The Windy City from the top of the coal tower. The pond you see is the former ACME Coke coal yard.
Summertime is when Duluth goes to the lakeside to listen to music, visit traveling fairs, and talk to neighbors about the smell of the lake. As seen from the castle walls.
It’s a small world… look at it.
Sometime soon, maybe in early 2016, someone will have this view from their office or condo.
These Twin Cities kisses
Sound like clicks and hisses.
We all tumbled down and
Drowned in the Mississippi River. -The Hold Steady
Kurth looks toward the city that forgot it.
If you look close you can see a figure on the water tower.
Looking out upon Mill City through the lens of FLOUR, highlighted in pink and low clouds. This sign has recently been converted into LED lighting.
Taken from the rooftop looking toward downtown, a hometown, a river town.
A tower above Minneapolis that few people see.
Looking at ADM-Delmar #4, #1 and Kurth from the Meal Storage Elevator at sunset on one of the warmer days of December. Note the graffiti “United Crushers” that gave the big elevator its common name among locals. Also, Harris Machinery is sitting in the lower-left corner, awaiting word of its next use.
From the roof of the Clemens House, looking toward downtown St. Louis.
Two versions of Detroit. One where buildings stand tall and proud, and one where they wilt under the sun. It’s an amazing juxtaposition.
A look upriver at the crane of the Port of Detroit, quiet for the night, and the Ambassador Bridge, always humming with Canadian traffic. Downtown Detroit is beautiful, if nobody told you.
HDR matrix panorama. Looking from the grain elevators, now doomed, toward the city between the flour mill’s water tower and tile elevator’s neon sign, the old and new economies seem almost united. Yet the financial centers rise in reality to shadow the now-abandoned industry and manufacturing. The way of things, I’m told.