The batch tag specifies some of the technical properties of the silk worked here.
This picture typifies the industrial ideal of the early 20th century. More metal than air. More efficiency than beauty. More profits than people.
The note on the left announces that the spindles in the crates are dirty.
I wonder when fluorescent lighting was added.
Aluminum spools replaced their wooden counterparts, later in the factory’s history.
Note the large belt pulley in the center of the frame. Follow the axel it’s on and you’ll see several belts still attached to the drive, which was originally steam-driven.
A wonderful porcelain drinking fountain on the first floor. Note how it’s wrapped.
We know what the ladies’ favorite treats were! Found holding parts on a repair cart.
A classic Eveready, borrowed from Herb’s office.
These wide spools sit atop the abandoned tracks that lead to the train shed, which was later repurposed into a truck shed.
Standing atop the dust collector, the factory breaks down into diverging patterns, processes.
I really like the porcelain guides for the silk threads, probably used because they could be polished for perfect, persistent, smoothness.
The left wall is stacked high with wooden crates holding spools. Tags hang on machines describing the last batch of silk the mill ever produced.
Empty spools, thousands of them, were around the mill.
There were bins with hundreds of spools in them in the basement.