Seven TV sets and not one shows my reflection. I’d also like to point out not two of these are the same.
These long curved corridors connected the wards. Locked doors on both of their ends were a security and comfort feature. Sounds and people would be sealed in their respective wards, as the hallways would act like beautiful airlocks; they were so long that it was unlikely that doors would be open on both sides at the same time. Portra 160.
The top floor of the Dominion Elevator. Acros 100 on 120.
The machine stood the Atlas missile up vertically over the blast pit, launching position, once the roof opened.
Old parts catalogs litter the floor. The office overlooks empty shelves. Graffiti glue peeling paint in place.
Work never done.
The cold air collided with the sun-warmed water on the floor, filling the ground floor of the Keg House with thick fog…