This is one of my favorite images of the year because of the color, light and textures. Someone told me once that the medium of photographers is not film or digital sensors, but rather shadows. This photo is evidence of that.
A one-of-a-kind installation in Armour’s otherwise gutted engine house.
Before each warhead was crated, it was inspected.
One of the many fireproof bridges connecting the factory sections, one way to prevent fires from spreading throughout the plant.
Days after the long-flooded basement was pumped out. Note the water lines!
The hole in the floor, I like to joke, is a not-so-sneaky trap for the photographers creeping to get a close-up of the amazing peeling paint. I somehow escaped this snare, however, to warn the rest… perhaps you.
The giant cog is missing on this machine, which turned a sugar slurry intro crystals. Green-blue stained glass makes the rusty machine glow in aquamarine.
The side of Stelco and its scrubber-stacks. This is demolished now.
Two windows above the slate Grand Staircase reflect let a little blue sky skip off the black.
A massive steel sheer’s equally massive drive cog. Imagine the force.