This is one of my favorite images of the year because of the color, light and textures. Someone told me once that the medium of photographers is not film or digital sensors, but rather shadows. This photo is evidence of that.
Looking through the center of a scrapped generator, its copper long scrapped.
A long exposure of the city glow illuminating the roof, highlighting the victorian and gothic influences on the brew house.
Ektar 100/Mamiya 6. Looking out the window a the foundations of the demolished company homes.
A portrait of the second school of McConnell, built in 1937.
A closeup of the now-scrapped steel chute.
From the slip where grain boats would tie for loading and unloading, the unloader juts in a modernist-architectural way that is oddly visibly satisfying. Inside that white building is the retracted boat unloader, more or less a long and sturdy conveyor attached to a joint and crane motor. There used to be four loaders that looked like simple tubes with cranes and ropes attached hanging from this side of the elevator. All that remains of those is one fixture on the white building (not visible here) and the frame of one on the elevator proper, visible in the upper-middle of this image, to the right of the unloader apparatus.
Inside the pilot copper concentrator.
Before each warhead was crated, it was inspected.
The control room for the whole of the plant. Sinterband here means one of the sintering lines. Temperatures, gasses, mixtures, speeds, and so on were centrally controlled here.