Looking into the main workhouse from the skyway into the annex elevator. But who care? Look at the colors!
From the boarded-up choir loft above the chapel, minutes after sunrise. Obviously local kids have long had their way with this landmark.
The theater had a projection booth in the rear, though the movie projector was gone. This is looking where the projector lens would have been at the stage.
Some of the ruins are way off the beaten path… foundations of tank stands and pillars of buildings that never had walls or roofs.
Like many mill-style buildings of the time, the Twohy’s loading doors (in this case, the delivery wagon doors) opened to an elevator shaft. This design cut down on loading time, as long as the elevator was operational. Of course, if it was otherwise occupied, there could be no traffic through the exterior doors!
Looking up at the network of elevators at the Saskatchewan Wheat Pool. Its train shed doors stand open under the void where conveyors should be. You can see where they used to connect on the left and right. The outside of the building is covered in racist graffiti.
A back-lit tree with the silhouette of a roof spire in the background.
Fluorescent lights peel back from the walls like caterpillars, rearing up and away from the glare of the sunflower-fans.
In the mid-2000s, Peavey sealed the spaces between their Electric Steel Elevator bins. What they unwittingly created was a graffiti time capsule. “Impeach Bush”.