C’mon, guys. PIck up to trash.
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...based on the tags: ferns, film, graffiti, quarantine...
The neon lighthouse, seen from the top of one of the silos.
Vents in the boards over the windows helps prevent mold and animals from getting too crazy inside.
The only door into a large windowless concrete room, probably a storage bin. Kodak Portra 160/Mamiya 6.
This was one of two skyways that went between production line offices. It’s easy to tell because it’s not reinforced for machinery to travel through it. I also like that it’s a double-decker, so to speak.
The flour mill (rear) and its elevators. The taller elevator was moved here in 1955, when the Harrisons bought it from Federal, who declared it surplus. The smaller elevator replaced an earlier smaller warehouse in 1926. Taken shortly after dawn. This one picture made the drive worth it, for me. Medium Format.
Catwalk crating, welded over the yard crane operator cab’s windows.
Looking up the grand stair at the second floor.
A rare door left on the workhouse. The stairs to the left led down into a flooded basement. Kodak Portra 160/Mamiya 6.
Kodak Tri-X 400/Leica M7. The office (first floor), laboratory (second floor) and mill behind it. Everything was clean and pristine.