The dock is still lit at night and it casts shadows over the rust-welded ore doors.
Seating in the former top balcony is now front row for a secondary stage above and behind the main house.
Looking at the tallest part of the plant from a skeletal loading dock. Kodak Portra 160/Mamiya 6.
A facade that tells the story of demolition and neglect. The sign on the garage door indicates that if one finds themselves there, that they enter the buildings at their own risk. If only property owners in the US took this philosophy!
Four A.M. was the best time to be on the main assembly line. This was about shortly after most of the machinery was removed.
This sawtooth roof collapsed months later under the weight of an early snow.
In its last years, the church had a congregation of only about 100. It opened with 1.700…
As photographed from a cement piling for Slip #3 poured in 1935, disconnected from land by erosion. How do I know the date? A pair of steamship engineers carved their initials and ranks into the wet cement!
Behind the small stage is a hallway signed by practically every act that walked through its doors. There’s also a pair of palms. Since all the heat in the building collects in this area, it did seem more tropical.