Peering into a remote office at Manitoba Wheat Pool #3. Someone left their to-do list behind.
Some guerilla art for passing drivers on I-94 East to enjoy. Artist unknown.
Small stained panes and orange brick. I had no idea when I took this picture that the colored glass would turn the insides of the mill into a bright aquamarine. It was a beautiful intersection of nature and industry, in the most unintended way.
The arches of the Twohy building, before some of the signs and sills were painted in 2015.
The front of the power plant (right), the distillery itself (center), and the regaling house (left).
Watching the comings and goings of doctors, nurses and new patients was a mainstay of asylum routine; one can find it easy to imagine pale faces pressed against the block glass windows, staring out at the world moving past them.
The stone chapel sits beside the main house and received a particularly heavy dose of gothic architectural touches.
A long exposure in the crane cab at sunset throws a bit of color into the bleak yellow glows between the windows and car shaker.
From atop a concrete slap that seals the old path of Mine Shaft #3, I loop up into the hoisting room.