The former BESCO building in the last light of day.
Below the factory floor is a network of hallways and tunnels, all flooded with water.
Made by the Mergenthalen Linotype Company of New York, this model series (300) was introduced in 1960 and boasted a 12-line-per-minute reproduction rate.
Originally, this part of the dock was reserved for the weather station.
Designed by Taylor himself, the spring house was the site of many parties in its day. You can imagine sipping fresh-tapped whiskey here with your Sunday clothes with soft music and the sounds of the river mixing in the background. Note the key-hole-shaped spring hole.
Instead of a pit in the floor, now there is an oversized chessboard here.
Fire buckets did not have flat bottoms so they could never be used for other buckety tasks, and were thus always handy in an actual fire.
There isn’t an unbroken window in the entire historic complex as of 2013.
Looking at the top of the Washburn Crosby elevator from a mirrored window in the Guthrie Theater.