Often the quickest way to move between buildings was to take the roof. The inside of the complex was so maze-like, I don’t know how I would have found my way around.
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The chapel (left) and surgical suite (straight on) move in an out of view as fog rolls up from the St. Louis River valley.
This was one of two skyways that went between production line offices. It’s easy to tell because it’s not reinforced for machinery to travel through it. I also like that it’s a double-decker, so to speak.
Furnace #6; its catwalk and tapway. Note the lever-operated gutter-blockers.
He had the knees of a stallion. RIP.
Looking into the engine works from the concrete addition.
When the building switched souls from booze to bread, these contraptions were mounted across the brewhouse floors… they’re not for hops, either.
The stairs that connect the breakwater and light station (Leica M6/Kodak Ektar).
In the mid-2000s, Peavey sealed the spaces between their Electric Steel Elevator bins. What they unwittingly created was a graffiti time capsule. “Impeach Bush”.
From the summer a bunch of Australians visited Minnesota.