There big filters helped the mill sort through the flour, for additional milling, for example.
Reflections of graffiti during spring melt.
As sun set the car barn underwent a temperature inversion causing a dense fog to rise from the puddles where tracks once where. I opened the Yellowstone-sized doors and watched the bank roll out into downtown Mitchell.
A corner of the addition is lined with glass cabinets, formerly filled with beds.
The sun was setting outside, highlighting the textures and lines that made the form of the power plant take a fourth dimension–time.
The lower door is where the rocket exhaust would flow into the blast pit during initial launch. The upper doors would vent the rocket so the erector and other equipment in the building would not be (as) damaged.
Pozo Mine, the most menacing mine building I’ve ever seen. Black and white film, shot with the Fuji GX680, a beast of a camera.