The nitrating house was a chemically dangerous place, so it had thick metal and concrete shield for every station right next to an emergency shower.
Far away, you can see the red lights on the steam plant smokestack. To the extreme right is the beginning of the Minneapolis skyline. Paint (where this was taken) and Assembly (where the blue light is) were connected with a long skyway that carried completed trucks to be painted. I assume the device in the foreground burned volatiles from the painting process.
Lockers for the boiler room workers.
What you see is not a crack in the floor, but a long vine extending ten feet onto the shop floor, as if reaching in to escape the wind and rain.
The old gate sign, leaned against one of the terminal elevators.
The light next to this acid tank was perfect, thanks to a gaping hole in the roof.
Pozo Mine, the most menacing mine building I’ve ever seen. Black and white film, shot with the Fuji GX680, a beast of a camera.
Sarah in Miller Creek Drain.
Small rooms in the basement of the asylum were seemingly too tiny to be used, even for storage.