The women’s ward had a player piano in it, likely a donation.
Gloves hang in the basement of the former quality assurance labs.
You can almost make out the concrete chute through the open window. Kodak Portra 160/Mamiya 6.
Workers in the basement tunnels had to communicate with the workhouse operators 100 feet above and vice versa. Alarms and bells were installed to signal trouble over the sound of the elevator machinery.
In one of the small offices there’s this machine that bills itself as “The Recorder.” I’m an old tech geek and I still don’t know what this really does.
Equipment that did not sell at auction.
On the dark side of the workhouse at sunset, you can almost see where the walls used to be. Kodak Portra 160/Mamiya 6.
Shoes and booze, backstage.
On my first self-guided tour, the calculator was caught my eye because it was one of the few things left behind in the laboratories that filled the second floor. On my next trip, it had been smashed to pieces.