My favorite shot of the 17-story Art Deco office tower attached to the train station.
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Before each warhead was crated, it was inspected.
The American Victory next to M, seen late at night.
Perhaps this office was for a film studio or music producer.
A rare door left on the workhouse. The stairs to the left led down into a flooded basement. Kodak Portra 160/Mamiya 6.
An elevator is reflected in the flooded footprint of Spencer & Kellogg. These trains are in storage for the winter.
Wintertime is quiet, except for the planes overhead.
The nurse’s station on this floor, a ward still in its original design, featured a half-door where patients could get their medicine. Portra 160.
The shaft house, where hydraulic steel doors allowed or denied entry into the mine shaft. Overhead is a light and alarm. If it sounds, the mine is being evacuated, and you best not go in and best stay the hell out of the way. Locals dump tires here, now.
Far away, you can see the red lights on the steam plant smokestack. To the extreme right is the beginning of the Minneapolis skyline. Paint (where this was taken) and Assembly (where the blue light is) were connected with a long skyway that carried completed trucks to be painted. I assume the device in the foreground burned volatiles from the painting process.