Looking out from a hallway on the third floor where a ceiling and roof should be. I could not stand in the room, as the floor had collapsed into the basement, but I could put my camera out at arm’s length and fire a few pictures upward, which is how I came away with this image!
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...based on the tags: clouds, fire-damage...
Shadows of distant power lines are carried to the concrete by street lights.
“Ladies and gentlemen, we’ve been getting reports that several Yellow Helicopters have been seen hovering above town. We are all aware of the Black Helicopters, which are World Government, and Blue Helicopters, which are Secret Police, and the Helicopters with Detailed Murals of Diving Birds of Prey, which are the helicopters that took all the children in Night Vale away a few months ago (we still don’t know what those helicopters are but they did bring all the children back unharmed, and much more well-behaved than before, so they are deemed just as safe as the other helicopters) but these new Yellow Helicopters, no one quite knows.” – Welcome to Night Vale, Ep. 32
A full harbor on a hot summer evening, just after twilight, as seen from atop the castle walls.
Showering red-hot coke fresh from the furnaces near the Coal Tower (in the back) was the Quenching Tower’s duty (front).
SWP4-A on the left and Viterra C on the right in a 90-degree panorama.
A typical dwelling in San Luis. I could not tell if it was occupied, but most of the town is abandoned.
The four buildings seen here comprise almost all of the notable remaining structures.
Reflections of graffiti during spring melt.
A shallow creek traces Illinois Gulch toward the Chain O’ Mines mill. Ball mills are laid out in the sun.