Shuttered windows on the side of one of the collapsing bonded warehouses.
A splash of pink across an otherwise boring sign caught my eye in the old elevator.
This was one of two skyways that went between production line offices. It’s easy to tell because it’s not reinforced for machinery to travel through it. I also like that it’s a double-decker, so to speak.
A long exposure panorama of Electric Steel and Kurth from the roof of Russell Miller B, days before it was demolished.
Some guerilla art for passing drivers on I-94 East to enjoy. Artist unknown.
A staircase threads between the top floor and the sluices, which are in the middle of the dredge-mill.
Kodak Tri-X 400/Leica M7. The office (first floor), laboratory (second floor) and mill behind it. Everything was clean and pristine.
A side door on the rear of the castle that let guests out into a small stone courtyard below a tall turret.
I tried to hide the graffiti from my photos, but sometimes it wasn’t possible.