The first 800 or so feet of the tunnel is finished with reinforced concrete. The test is raw stone. This is the spot where it switches. Side note: nailing this shot on film is one of my proudest light-painted moments.
On the top floor of the former casket building is the finishing line for the coating section; on this section the final spray of plastic would hit the wood before a small furnace would seal the plastic permanently to the surface, making it more resilient, I assume.
A 8-foot-tall volume indicator that could be read from across the beet boiler floor–convenient when the controls are 20 feet away.
All electrical rooms were surrounded by walls, for obvious reasons. Now all the walls are gone, for reasons less obvious.
In the soft wood of the machine, an employee left their mark.
These pools looked into the cribbing below the concrete.
A me-sized hole in the half-demolished skyway looks about a story down to the ground. Step lightly. Arista 100.
The grain-centric buildings had automatic fire doors.
A natural reaction with this kind of view.
A rare door left on the workhouse. The stairs to the left led down into a flooded basement. Kodak Portra 160/Mamiya 6.