My first view of the tunnel was in the dead of winter. In spite of being in the middle of the forest, it was totally silent. Mamiya GA645 / Kodak Pro 400
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The power lines follow the street, down to the mineshaft. Everything revolved around the mine, it seemed.
Looking at the last wall of the hotel from the banks of the river.
A view of the Harris offices, complete with great block glass.
Originally a bagging warehouse for Peavey, later this building was leased as storage and warehouse space. It was finally demolished around 2010.
Delmar #4 is like two elevators in one, in capacity and design.
One of the covered rail loading docks. All of them were overgrown and rust-clad.
The trees were so overgrown, it was difficult to see the hotel at all from the road.
Furnace #7, as seen from #6’s catwalks. Cue morning fog.
Shot on a Pentax 67 in monochrome and toned to match the set. For some time the marquee was lit at night to advertise the fact that the city bought it and planned to apply for credits to repair it.