This part of the roundhouse was being brought down by rain and gravity.
Archeologists believe the great house on the mesa was rebuilt shortly before it was abandoned in the 13th Century AD. Tri-X 400 Film, haphazardly self developed.
The mostly-empty distilling room is easy to spot from the outside because of the distinctive round window.
Looking from the main shop into the boiler shop, one of three attached buildings that specialized in certain repairs. One thing that architectural photographers have to work with is an elongated “magic hour” with ideal shadowing and coloring–this photo is a result of that lighting.
The sun unzipped the clouds. Mist blew across the harbor.
Looking past the hoist room (left) toward Shaft No. 1, behind the concrete head frame built in the late 1940s. This shaft could haul equipment from ground level (below) to shop level, where the picture was taken.
Ultimately, it was the bad roof that doomed these buildings.
One of the only extant assembly line tracks in the body painting department. No photographer leaves Fisher 21 without capturing some version of this spot; hope you like mine.
In a now-demolished building, a skylight begins to separate.