The pits have long since been filled so the roundhouse could be used for storage.
Looking out of a door to nowhere at the fiery sky above.
In the ward for the criminally insane, this door was the most-worn. Nail scratches mark the area around the peep hole, the wood is gouged everywhere from thrown chairs and hard kicks, and a ominous blood-colored stain is visible where it dripped in the second inset from the bottom. Aside from the damage, the coloring in this section was very vibrant, though it was probably little reprieve for those who had to work here.
In what Studebaker called the ‘Materials Building’ are these giant concrete bins of fine molding sand, there for casting metal parts using the molten metal from the adjoining building. On the far left side there is a train track and once upon a time a gantry crane traced the room under the roof
Camera: Pentax 67. Film: Kodak Ektar 100.
The back wall of the ballroom, showing water-warped floors.
Superior Entry’s lights, backlit by the aurora borealis. In the distance, you can see the lights of Two Harbors.
This is what I believe to be the Masonic Cottage, where infected Freemasons would be treated together and enjoy some simple luxuries because of their social connections. Freemasonry is still popular in North Dakota.
A corner of the addition is lined with glass cabinets, formerly filled with beds.