A buck-fifty shot for a postcard stand. Taken from the Stone Arch Bridge.
Looking up at the network of elevators at the Saskatchewan Wheat Pool. Its train shed doors stand open under the void where conveyors should be. You can see where they used to connect on the left and right. The outside of the building is covered in racist graffiti.
Like a grave marker, a single post remembers where Dock 3 stood on the bay.
The big door at the bottom of the concentrator was where a tram once connected to lower the (pre-) processed ore into the river valley, where the railroad was. It’s unclear whether this ever connected directly to Eureka’s Sunnyside mill, although it’s possible.
Looking up the hill from the rooftop of the Temple Opera Block. The downtown casino (left) looks far closer to its original use as a Sears Roebuck department store than it does today. Behind it is the blighted Carter Hotel, one of many abandoned buildings near the former Orpheum.
Counter-weighted ore cars alternately filled and emptied to feed Furnace 7. Honestly, though, the corner-mounted cranes are sexier in my opinion. Note the trees growing from the stacks.
Furnace #7, as seen from #6’s catwalks. Cue morning fog.
A long exposure of the side of the coke ovens, lit by the nearby streetlights.
On the dark side of the workhouse at sunset, you can almost see where the walls used to be. Kodak Portra 160/Mamiya 6.