On the top floor of one of the old wards, the slanted roofline makes the this group room more claustrophobic. Portra 160.
Hunter’s custom large format rig looks pretty cool, doesn’t it?
Death. About two seconds after the explosives were triggered.
These long curved corridors connected the wards. Locked doors on both of their ends were a security and comfort feature. Sounds and people would be sealed in their respective wards, as the hallways would act like beautiful airlocks; they were so long that it was unlikely that doors would be open on both sides at the same time. Portra 160.
The State School stage, taken as it was getting scrapped.
Harsh rail yard lighting throws shadows of broken windows against the line of boilers.
The grain-centric buildings had automatic fire doors.
From factory to skate park to restaurant. This is in the skate park stage. The buildings to the right are demolished now, and in their place are hockey rinks.
North of the assembly complex is a storage network of earthen and concrete bunkers.