The elevator works on gravity… this is where a conveyor belt was to move the grain toward the main elevator to be loaded into ships.
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Looking up from the ground floor at the various levels of the sugar mill.
300 tea lights illuminate what Greg Brick calls the Rotunda, under the brew house proper, which was part of Christopher Stahlmann’s natural cave.
A decaying door of the Medical Director for the unit. Because this is from one of the outbuildings and not Administration, I doubt that this was the Medical Director of Norwich State Hospital’s office.
If there were no other options, operators could climb this ladder from the Communications Room to the surface, after opening two heavy steel hatches, of course.
Note the really old carvings in the mineral-stained sandstone on the walls and ceiling. This little cave was walled-off on one end, making me wonder what the area was for. Lighting is a set of three candles and two LED flashlights and a cigarette.
While walking out I snapped this last shot of the sunset drenching the castle-top watertower (staying with the theme), right before the sun dipped below the hill across the stream from which the whiskey was distilled.
One of my favorite shots of the headhouse at the Saskatchewan Wheat Pool #4, with one seagull threading the needle. The socket holes on the frame got blown out thanks to my bad developing, but I like the effect. Arista 100.
It’s a straight view from the projection booth to the stage, but hell of a walk. At a fast pace, I think it would take 10 minutes to walk from this spot to the chair. Behind the curtains is a big white screen, so the theatre could be used for either stagework or moving pictures. The two projectors are set up for 3D movies right now–hence the little switch below the window–a Polaroid 3D synchronizer. Cool, huh?