Kate stands on top of the tailings pile that added some usable land to the side of the gulch. Somewhere nearby is the buried Santiago Tunnel.
A yellow house above the mineshaft.
Because of the dangers of storing the materials to make explosives as well as the explosives themselves, there were earthen bunkers all across the plant like this.
A buck-fifty shot for a postcard stand. Taken from the Stone Arch Bridge.
Looking toward the Quenching Tower from the coal tower platform.
Shadows of distant power lines are carried to the concrete by street lights.
It’s a straight view from the projection booth to the stage, but hell of a walk. At a fast pace, I think it would take 10 minutes to walk from this spot to the chair. Behind the curtains is a big white screen, so the theatre could be used for either stagework or moving pictures. The two projectors are set up for 3D movies right now–hence the little switch below the window–a Polaroid 3D synchronizer. Cool, huh?
The rails that used to go to the back of the complex are long gone, but the ties are still in the back of the parking lot.