A super-shallow depth of field shot on the Leica Summilux.
A door covered in pen graffiti.
Before Portland-Huron Cement’s Duluth Plant was (mostly) demolished and (partly) turned into a hotel, the top of its silos gave a cinematic view of elevator row.
This was not always the top of the elevator.
A tunnel between the outside gate and the courtyard shared by the barracks.
A look down the 1950s foundry building, moments after sunset.
The American Victory next to M, seen late at night.
A little sun and a little moisture sprouted this grass in the middle of the steel silos, in the midst of Minneapolis’ “graffiti graveyard”. Two images of time: nature growing through industry and rust dissolving old art in the elements.
Below the pressure gauges are rows of little pipe fitting drawers.