A long exposure of the city glow illuminating the roof, highlighting the victorian and gothic influences on the brew house.
Paint lines were constantly monitored through big windows. Adjustments could be made on the dedicated consoles. This is what most of the painting floor looked like.
Hales & Hunter sign, as it looks today.
These concrete blocks were formed to be solid mounts for machinery. All the metal was scrapped in the late 1990s, leaving these modern ruins. Seagulls love them.
A look at another “Belt-o-Vator”. I like the sign.
If you look carefully along the side of the slip alongside this image of Cargill B-2, you will see the remains of the crane stops when this was a Hannah coal dock.
Looking at the top of the Washburn Crosby elevator from a mirrored window in the Guthrie Theater.
This electric Wellman crane was added to extract coal from ships for the power plant that Erie built beside their dock. Now, with the advent of self-unloading boats, it’s been replaced by a funnel and conveyor belt.