The staircase going to the second floor balcony is gone, giving a clear view of the first floor porch.
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This was the exterior wall of the roundhouse; engines would have entered on the other side and machinery would line this side, hence the big windows for natural light.
A 1960s style TV set in a sun room at the back of the poor house. The concrete room survived the roof collapse and was full of rotten children’s books and toys. Perhaps it was where donations were sorted, or perhaps it was a nursery/orphanage area.
My favorite shot of the 17-story Art Deco office tower attached to the train station.
This is the crane that would be used to lower extra-heavy bits of copper ore into the fire of the furnace.
The historic entrance of the mill, alongside the (relatively) new Great Western offices.
It’s a straight view from the projection booth to the stage, but hell of a walk. At a fast pace, I think it would take 10 minutes to walk from this spot to the chair. Behind the curtains is a big white screen, so the theatre could be used for either stagework or moving pictures. The two projectors are set up for 3D movies right now–hence the little switch below the window–a Polaroid 3D synchronizer. Cool, huh?
I really liked the bulky pillars on this outer-ring cottage.
One of the walls of the train shed was growing, thanks to a little bit of sunlight and a constant trickle of rainwater over it. FP-100C.
The green-tinted skylight makes this a bright green corridor, the lower of the two skyways connecting the two workhouses.