Taken while standing on the torn outline of a scrapped altar. With my back to the faded outlines of men, books and the Holy Grail, the room seems much lighter.
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Bells are highly symbolic, being used from everything from calling worshipers in the morning to exorcising demons at night.
A familiar scene in Control Tower B, though the microphone has not been used for years.
The front of the power plant (right), the distillery itself (center), and the regaling house (left).
One of the only remaining pieces of equipment in the distilling room is this green control panel on a bridge suspended in the middle of it all.
The conveyorway that carried the sintering material to the mixing floor at the top of the plant.
The modern morgue, a replacement for the original morgue which has since been turned into a kitchen area.
This is what it might have looked like if a new Ford descended in the elevator with its headlights on. As seen from the Mississippi side–the opposite portal faces the sand mine.
The screen and mineral stained window cross-processed the sky.
Raab strolling where the coal and ore would be dumped by trains that traveled along the top of the concrete pilings.