On the left, the formula for the sintering mix was written (“mischungszusammenselzung”) to keep track of the jobs.
The beacon was installed in 1938 and removed in the mid-2000s.
You can almost make out the concrete chute through the open window. Kodak Portra 160/Mamiya 6.
Inside the main entrance to the depot. Through the ‘To Station’ door, you can see some of the news stands. Look at the floor!
A circular common room in one of the original parts of the hospital. When the asylum was especially crowded, this would be filled with patient beds, too. It’s very strange that this floor was not tiled like the other common rooms. It makes me wonder if especially dangerous patients were kept in this ward; those who could not be trusted to not extract and sharpen the ceramic tiles. Portra 160.
Above my head while taking this picture was the seal of the Department of the Interior.
One of my favorite visual feature of grain elevators, especially big ones, is how they repeat.
An old name for an older elevator, as seen from an abandoned rail spur.
The topmost roof of the hospital is covered in antennae and includes a star that faced the rest of the complex, now demolished.