After crushing, these machines would float lighter material to the surface of the water, where it would be skimmed and discarded. Gold and silver laden stone would sink to the bottom, where it was collected for the next stage of processing. Leica/Summilux 35/Ektar 100
The Osborn Block (front) and the Twohy (rear) at sunset. In the distance, you can almost make out Globe Elevators. One of my favorite photos of 2013.
Looking at the ghost sign from a rust-locked cement conveyor that linked the silos with a packing warehouse.
Kodak Tri-X 400, Leica M7. Serious enough to write across the side of the tank, but not serious enough to have a sign made.
A door covered in pen graffiti.
Winter skies over Allouez Bay. From a distance, it looks almost fragile.
The clock, which was sold after Amtrak dumped the building, was returned to the Waiting Room in 2005.
Fire doors separate the buildings.
The sign room with glass letters, words, and numbers.