Mark, as seen from the back of one of the caves, to give the reader a sense of scale.
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A social club/restaurant that was likely the place to be late at night.
Hunter and the Hoist House.
Often the quickest way to move between buildings was to take the roof. The inside of the complex was so maze-like, I don’t know how I would have found my way around.
Would you wait and risk getting flooded out, or intentionally get minor burns?
Colleen’s silhouette.
Ben.
The top of the headframe, and in a sense, the mine itself. This pulley carried the life line of the mine and the men in it.
Sarah in Miller Creek Drain.
A view from the loft in the shipping/receiving building, where the crane operator would step into his cab.