Ektar 100/Mamiya 6.
Looking out the window a the foundations of the demolished company homes.
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...based on the tags: 120-film, film, ladders, peeling-paint, squares...
Note the rails in the floor that guided cars to the coating line, the side of which is lined with the windows in the center of the image.
The fantastic red elevator that is Pool #61, built 1928.
The secret sweet-yet-salty center of the nameless factoryscape. Home base, tuned to rule the AC and turn out Product X at record rates, I’m sure.
The entry point for the painting shed on the top floor. Cars would have a few feet in between them before they entered. Separate sheds would prime and add color.
Why the elevator cars were removed or who removed them is unclear to me, but I do hope they still exist somewhere outside of a Honda frame. Judging from the decorations heaped on the doors and their frames, the cars themselves must have been beautiful.
A closeup of a flour chute.
Mismatched chairs in a patient room.
Looking toward the Female Infirmary Ward from the long, glass, Conservatory hallway.
Fire buckets did not have flat bottoms so they could never be used for other buckety tasks, and were thus always handy in an actual fire.