Ektar 100/Mamiya 6.
Looking out the window a the foundations of the demolished company homes.
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You first.
2016. A section of the third floor that has changed a lot over the years. Compare to 2006 shot.
Looking at the concrete headframe from street level. Acros 100 in Pentax 67
The rust garden’s brick centerpiece contrasts the muted winter Kentucky palette.
Counter-weighted ore cars alternately filled and emptied to feed Furnace 7. Honestly, though, the corner-mounted cranes are sexier in my opinion. Note the trees growing from the stacks.
The Osborn Block is the prettiest building you’ve never seen in the Twin Ports.
The gulls wait to eat the next load of spilled grain. Arista 100.
Kodak Tri-X 400/Leica M7. The office (first floor), laboratory (second floor) and mill behind it. Everything was clean and pristine.
In the middle of one of the outlying cottages, perhaps the Masonic Cottage–it was too damaged to tell, really–are these pair of skinny doors that led from patient rooms to a common area with rotting shag carpet.