This building would store and maintain warheads. It was right next to the launch pad, but the two were separated by a high mound.
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...based on the tags: doors, grass, peeling-paint, trees...
A little sun and a little moisture sprouted this grass in the middle of the steel silos, in the midst of Minneapolis’ “graffiti graveyard”. Two images of time: nature growing through industry and rust dissolving old art in the elements.
A decaying door of the Medical Director for the unit. Because this is from one of the outbuildings and not Administration, I doubt that this was the Medical Director of Norwich State Hospital’s office.
These were some of the most attractive shops of all the mines in the area. It’s no wonder Hanna Mining wanted to use them as their center of operations in the Iron River district.
The offices for the Five Roses elevator have long been boarded. To the left you can see the Manitoba Pool Elevator slogan, “Service at Cost”, meaning they would not make profit off farmers and dues.
Heavy steel doors to isolate the underground magnetic separation mill from Eagle Mine’s main tunnel.
The only door into a large windowless concrete room, probably a storage bin. Kodak Portra 160/Mamiya 6.
The top floor’s old-fashioned hospital ways were too much to pass without a photo or two… with the paint falling off the walls it was as if the building was shedding its skin in an effort to become rejuvenated or useful.
At noon, the lower skylights around the shops glow yellow-green, thanks to the flora blooming on the roof above.
Pozo Mine, the most menacing mine building I’ve ever seen. Black and white film, shot with the Fuji GX680, a beast of a camera.