The ice around the dock, compressed by the waves, was less clear than the open ice.
Pozo Mine, the most menacing mine building I’ve ever seen. Black and white film, shot with the Fuji GX680, a beast of a camera.
One thing I like to do at Gopher is imagine the shape of the planned buildings based on the partial structures.
The red brick elevator is reflected in the flooded railyard. Note the saturated red square on the elevator, where the ‘4’ was scrubbed off. FP-100c.
The white mark allowed for a manual RPM check on this big steel flywheel on the ground floor. Note how dark the bottom level of the mills is—that’s because all of the equipment is blocking out the light.
When Nopeming was affiliated with local farms, it often slaughtered its own livestock. This is the part of the hospital where food would be prepped, below the stage in the Service Building.
The moon highlights the contrails over the engine house in the middle of the night. Foreground light painted.
Past the underground repair shop is this cliffside adit.
Blending the explosive ingredients was dangerous. It is no wonder that the blending house had so many emergency slides.