Only two machines sit on the rails in the roundhouse, both oil cars. It’s not clear whether there’s anything inside either, but they have to have been placed here before 1970, when the turntable outside these numbered doors was removed.
Camera: Voigtlander Bessa Film: Acros 100
Pozo Mine, the most menacing mine building I’ve ever seen. Black and white film, shot with the Fuji GX680, a beast of a camera.
A little catwalk gives access to the most important gauges in the building. Behind them are huge vents and fans. I bet it got steamy in here.
Ceiling light fixtures sit on a broken gurney.
The bottom of the elevator in the new foundry.
Books in nooks and not getting a look… about the crook with hooks that cooks.
Workers would undoubtedly prefer to use the belt manlift on the right.
The stone chapel sits beside the main house and received a particularly heavy dose of gothic architectural touches.