The white mark allowed for a manual RPM check on this big steel flywheel on the ground floor. Note how dark the bottom level of the mills is—that’s because all of the equipment is blocking out the light.
My favorite time to be in the brewery was sunrise. That’s the kind of light that made the brewhouse glow.
A Merrill Piano from Boston, in the Recreation Room of the Front Dorm.
Partier graffiti dates to when the caves were last open to the public; probably in the 1990s. This tunnel used to horseshoe between the brewery’s ice chute (left) and basement door (right, backfilled). Note the utility tunnel in the upper-right corner as well as the lighting brackets on the ceiling.
The copula where molten metal would pour is on the left. It seems the whole floor was covered in ash in front of it.
The old truck scale sits in the middle of what was Nettleton Avenue Slip.
A closeup inside the mill’s power room.
Made by the Mergenthalen Linotype Company of New York, this model series (300) was introduced in 1960 and boasted a 12-line-per-minute reproduction rate.
The porcelain hoops guided the silk threads through the device.
Looking up at the network of elevators at the Saskatchewan Wheat Pool. Its train shed doors stand open under the void where conveyors should be. You can see where they used to connect on the left and right. The outside of the building is covered in racist graffiti.