A side view showing the extreme structural damage to what I believe is the Masonic Cottage. I honestly cannot unravel how some of this was done, unless the local armory is missing a 4″ canon and some cartridge shot.
The piano must have been a nice distraction; there is very little to do in Roberts.
Camera: Pentax 67.
A small bunker and blast wall between shell-loading buildings would have provided shelter during disasters, such as tornados, accidental explosions, and perhaps even enemy attacks.
The BOMARC launch buildings are spaced on a large concrete pad that looks like a parking lot. Out of view are underground pipes for fueling and cooling the rocket motors.
A swinging curtain to separate the beds.
Shuttered windows on the side of one of the collapsing bonded warehouses.
The head distiller could walk out of their office to this balcony and overlook the whole fermentation process in a glance.
I slid into the mill through the top floor, near where the rock-grinding ball mills were left to rust. I look around, taking in the most intact gold mill I’ve ever explored. Movement attracted my eye to the ceiling, where I found something staring back, a raven was observing me with some interest. It had been a while since I have brushed up on the folklore and mythology, but I took it as a good sign. Leica/Summilux 35/Ektar 100