A typical Chateau wall. Kodak Tri-X 400 in Leica M7.
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...based on the tags: 35mm-film, black&white, film, lights, water-damage...
An unplanned skylight. It’s unclear why some parts of the building had wooden roofing, while others were highly reinforced with brick.
A side view of the oven pusher from the ground. The tallest coal bunker looks tiny in the distance, though on the scale of the factory it’s practically on top of me as I’m taking the picture.
The roof has been replaced since this was taken. Hopefully, that will stem the water damage.
Watching the comings and goings of doctors, nurses and new patients was a mainstay of asylum routine; one can find it easy to imagine pale faces pressed against the block glass windows, staring out at the world moving past them.
Kat’s pretty cool.
An old sign in front of the elevators that used to constitute Saskatchewan Wheat Pool #4. Kodak Pro 100.
Lost words over the auditorium entrance.
The stock house tanks were long scrapped for their steel, but what remains gives a sense of what it looked like.
After crushing, these machines would float lighter material to the surface of the water, where it would be skimmed and discarded. Gold and silver laden stone would sink to the bottom, where it was collected for the next stage of processing. Leica/Summilux 35/Ektar 100