Behind the small stage is a hallway signed by practically every act that walked through its doors. There’s also a pair of palms. Since all the heat in the building collects in this area, it did seem more tropical.
In front of a rust-welded Illinois rotary stoker is where the boiler-men made their mark. The last year I can make out is 1985.
This was one of two skyways that went between production line offices. It’s easy to tell because it’s not reinforced for machinery to travel through it. I also like that it’s a double-decker, so to speak.
The spectacular, if precarious, view of downtown Minneapolis from the roof of ADM Annex 4. Note the great messages left by various graffiti artists who made it to the spot.
The cold air collided with the sun-warmed water on the floor, filling the ground floor of the Keg House with thick fog…
Part of the grain dust venting system, dislodged from its place above the dumping hatches under the grain cribs.
See http://www.thecarriedeer.com/ for details.
Between the repair shops and the stock department is this odd little structure. No, the walls are not level–it’s not your eyes. The shops slope left, the structure slopes right.
One of the clusters of elevators. Doors would open on both sides so that vehicles could be moved through them if necessary. There is only one set of stairs in the whole building.
There is no denying that the Fergus Falls asylum was a beautiful place, especially around sunset.