Shot on a Pentax 67 in monochrome and toned to match the set. For some time the marquee was lit at night to advertise the fact that the city bought it and planned to apply for credits to repair it.
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...based on the tags: 120-film, film, lights, signs...
Perhaps this office was for a film studio or music producer.
Checking out the neighbors. Shot on a the legendary Pentax 67.
Devan setting up his 4×5 camera.
Inside the Beulah elevator were all of the original notices and notices. These are instructions for filling rail cars with flour sacks.
The light towers of Allouez seem romantic compared to the street lights atop Dock 5.
Every fitting label in the stock department was cracked, curled, and blank.
The stock house tanks were long scrapped for their steel, but what remains gives a sense of what it looked like.
The roof of the King Elevator had two small vents and a terrific view of Sleeping Giant Provincial Park. Arista 100 in 120.
A different kind of tree fort.