Shuttered windows on the side of one of the collapsing bonded warehouses.
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Scrappers tried to take this steel pulley out of Fisher, but it proved too heavy.
Looking toward the famous Duluth Aerial Lift Bridge from Lake Superior. Shot on a the legendary Pentax 67.
Note the maps still left on the wall.
Looking out the second-floor lighthouse office window. On this visit, the last ice of the season was slowly drifting into the harbor.
A bird near the old schoolyard.
Behind the small stage is a hallway signed by practically every act that walked through its doors. There’s also a pair of palms. Since all the heat in the building collects in this area, it did seem more tropical.
Between the room with mold sand and the space where the car’s metal bits would be put together, a pillar is marked as structurally vital.
Kodak Tri-X 400/Leica M7. The office (first floor), laboratory (second floor) and mill behind it. Everything was clean and pristine.
The fresh snow makes the whole complex look a lot cleaner than it actually is.