An alarm panel in the powerpplant, now demolished.
An outfall for 43rd Avenue Creek. Let’s rename it Substreet Creek; isn’t that a better name?
I revisited the mill years after my documentary. Now it is even more destroyed and surrounded by new fences.
Grand Army, as seen from a Gilman Tram grade.
Peeling paint reveals the room numbers of the past. Kodak Trix-400 on Canon T40.
Thick glass windows allow workers to check the beet juice levels in this steel tank. You can tell by the reinforcement that it had a lot of liquid and had to hold against immense pressure. Kodak Tri-X 400/Leica M7.
I’ve written it before, but I like observing the way buildings change in terms of new windows, bricked up doors, and so on, and thinking of how their forms change to reflect the work inside of them.