The shed in the front was full of worker supplies–namely goggles and heavy leather gloves. Molten copper isn’t a friendly thing to handle.
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This is a room where the actual explosive elements were mixed. In the event of an accident, this glass wall would give way before the concrete and thus direct the flames and shockwave away from the rest of the building. In other words, the glass is not just to get a lot of wonderful natural light into the building.
One of my favorite signs, informing workers about to descend into the open-top grain bins about basic procedures. This was in ADM-Annex 1 (connected to the cleaning house via skyway), so it will never be seen again, unless the sign lands luckily when the elevator is demolished.
A typical narrow hallway at Birtle.
Sunset through a stained window in the headhouse made the floor feel like a heavy industrial Disney movie.
Checking out the neighbors. Shot on a the legendary Pentax 67.
In a now-demolished building, a skylight begins to separate.
A typical Chateau wall. Kodak Tri-X 400 in Leica M7.
One thing that made the Eagle Mine unique is the underground mill, left of this picture. As the rocks moved down the mill, they would be turned into finer and finer powder.
Gaskets still organized on nails beside the power plant. This used to be a maintenance room, but since its roof and walls were torn down, it’s not any kind of room.