One of the only remaining pieces of equipment in the distilling room is this green control panel on a bridge suspended in the middle of it all.
Kat’s pretty cool.
The grain-centric buildings had automatic fire doors.
After crushing, these machines would float lighter material to the surface of the water, where it would be skimmed and discarded. Gold and silver laden stone would sink to the bottom, where it was collected for the next stage of processing. Leica/Summilux 35/Ektar 100
My first view of the tunnel was in the dead of winter. In spite of being in the middle of the forest, it was totally silent. Mamiya GA645 / Kodak Pro 400
One of the only extant assembly line tracks in the body painting department. No photographer leaves Fisher 21 without capturing some version of this spot; hope you like mine.
Inside the main entrance to the depot. Through the ‘To Station’ door, you can see some of the news stands. Look at the floor!
From my archives–the NorShor as an innocent gentleman’s club, called ‘the NorShor Experience’.